Nothing like going through first edits on a rough draft written a few years previously and spotting gargantuan plot holes. In case you haven’t guessed, or are new to this blog, I have returned to working on my steampunk serial, The Adventures of Pigg & Woolfe.
I’m finally getting episodes 13 through 24 (aka Season 2) ready for publication. I’m also seriously entertaining the thought of having a new cover done for the Season 1 omnibus, The Girl Who Fell from the Sky, as well as doing new illustrations for it.
“Why?” you ask. Mainly because sales have been all but non-existent, and I never really got marketing off the ground the first time through. This will mean pulling all the current versions down and republishing.
Yes, I am a masochist. I must be to intentionally put that much on my plate.
Meanwhile, back to why I started this post. I’ve found myself trying to keep supposedly intelligent characters from unintentionally looking like bumbling idiots. In other words, I originally wrote some scenes which turned into “wait-a-minute” moments. So, I have to figure out why I had a character do something a certain way, when an obviously better way was available.
Specifically, why did a character LEAVE a communications center to deliver a message rather than send it via a secure means already available to them. It would’ve been quicker to use the system rather than leave the building and head into a subterranean system of tunnels and lifts to reach a place deep underground.
Not to worry. I did find a plausible excuse.
Messages sent through that system, while secure, have to be entered in the log if they originate from the communications center itself. The character didn’t want this message to be discovered by her supervisor, so she feigned illness to be excused from the rest of her shift. She also didn’t encounter any message stations along her route before encountering other major characters.
Plot hole plugged.